Labyrinth of the Eternal Archetype, installation, 2011
Materials: Found objects, found materials, acrylic paint, spray paint, ribbon, miniature grass, glue, epoxy, hardware.
Process: constructed installation.
Exhibited: The New Gallery, Plus15 Project Window (Calgary, AB), 2011, Art Souterrain (Montreal, QC), 2013, Visual Arts Alberta CARFAC Gallery (Edmonton), 2014.
Media: Avenue Magazine, Art Souterrain, Les Beautes De Montreal, V2com.biz, Detail Daily.
Old canons collapse and continually fold into themselves like a fractal that repeatedly feeds the remainder back into the equation, with their forms repeatedly reinterpreted; context has become content. Objects of status often rely on forms related to a system of classical rationality, but leave us without personal meaning. Mysticism and pseudo-science fills the space where knowledge ends and the personal begins, creating a space that is both intimate and impersonal. Exploring the symbolic and emotional connections between people and objects, I wish to present an open-ended narrative where sensual and rational experience intersects. This work embodies the utopic melancholy induced by the continual disconnection between form and meaning.
Process: constructed installation.
Exhibited: The New Gallery, Plus15 Project Window (Calgary, AB), 2011, Art Souterrain (Montreal, QC), 2013, Visual Arts Alberta CARFAC Gallery (Edmonton), 2014.
Media: Avenue Magazine, Art Souterrain, Les Beautes De Montreal, V2com.biz, Detail Daily.
Old canons collapse and continually fold into themselves like a fractal that repeatedly feeds the remainder back into the equation, with their forms repeatedly reinterpreted; context has become content. Objects of status often rely on forms related to a system of classical rationality, but leave us without personal meaning. Mysticism and pseudo-science fills the space where knowledge ends and the personal begins, creating a space that is both intimate and impersonal. Exploring the symbolic and emotional connections between people and objects, I wish to present an open-ended narrative where sensual and rational experience intersects. This work embodies the utopic melancholy induced by the continual disconnection between form and meaning.
